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File:\新秩序\普通生活\火燒島

File:\New_Order\Normal_Life\Fire_Island

2023

Print installation, single-channel video

Dimensional variable

人們慣常將創作理解為「有餘裕的人」在做的事,獄中看似與生存無直接相關的
勞動行為,看起來只是在揮霍珍貴氣力。但當一個人的社會角色被剝奪,並受到
全然治理的壓迫,既有秩序的蕩然無存使得創造屬於自己的另類秩序,成為越來
越迫切的需要,政治犯們近似藝術創造的「浪費」行為,似乎是暫時贖為「普通
生活」的手段。


「新秩序」為張紋瑄從2023年開啟的長期計畫,透過諧擬資料夾建檔系統的架構

,探究被二元化操作的新秩序敘事。本次展出的作品被歸檔於「普通生活」資料
夾。

平面攝影:吳傑生、張育銘
動態攝影:許博彥 、蔡宗勳
裝置製作:何紹源 

Since we often regard the practice of creation as an activity that is bestowed to “people of abundance,” those political prisoners who dedicate their physical labor to any outcome irrelevant to survival seem to dissipate their time and strength. However, the deprivation of social role, the coercion of total authority, and the abolition of existing order, all accumulate to a drastic need to establish an alternative order of one’s own. The semi-artistic practice performed by political prisoners could be seen as a leverage to redeem their “normal lives.”

 

New Order is an ongoing project launched by CHANG Wen-Hsuan in 2023. Adopting the configuration of the filing system, this long-term project aims to delve into the dichotomized manipulation of the “new order” narrative. This work featured in the art festival is filed under “Normal Life.”

 

Photography: GOH Jason, CHANG Yu-Ming
Video Photography: HSU Po-Yen Hsu, TSAI Tsung-Hsun 
Installation Production: HO Shao-Yuan

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