張紋瑄是一位台灣藝術家、作家與教育工作者，目前為荷蘭阿姆斯特丹大學文化分析學院（ASCA）博士候選人。其創作實踐處在當代藝術、歷史編纂與教育之間，透過質疑體制化歷史的敘事結構，暴露出潛藏於主流論述中的權力運作。藉由裝置、動態影像及講述表演等形式，他建構出後設虛構空間，在其中，偏離原件的檔案與第一人稱敘事被重新部署，使歷史中尚未實現的可能性得以被重讀、重寫與重新想像。2018年發起「Writing FACTory」，這是一個長期的虛擬工廠計畫，旨在生產出版作為政治及教育實踐的戰略方案。
他的作品曾於多個重要國際場域展出，包含：雪梨雙年展 （2026）、台灣美術雙年展 （2025及2018）、釜山雙年展 （2024）、台北市立美術館（台灣）、亞洲文化中心（韓國）和柏林時代藝術中心（德國）等。曾獲台北獎、高雄獎、林語堂文學獎等。
Chang Wen-Hsuan is a Taiwanese artist, writer, and educator, currently a PhD candidate at the Amsterdam School for Cultural Analysis (ASCA), University of Amsterdam. Working at the intersection of contemporary art, historiography, and pedagogy, her practice interrogates the narrative structures of institutionalized history to expose the power dynamics embedded in dominant accounts. Through installations, moving images, and lecture-based formats, she constructs metafictional spaces where skewed documentation and first-person accounts activate history’s unrealized potentials, allowing it to be re-read, re-written, and re-imagined. In 2018, she launched Writing FACTory, a virtual factory that manufactures tactical forms of publishing as political and pedagogical practices.
She has presented projects at the Sydney Biennale (2026); Taiwan Biennial (2025); Busan Biennale (2024 and 2018); Taipei Fine Arts Museum, Taiwan; Asia Culture Center, Korea; and Times Art Center Berlin, Germany, among others. Prizes and awards include the Taipei Art Awards (2018), Kaohsiung Awards (2015), and Lin Yutang Literary Prize (2012).