張紋瑄，1991年生於彰化，是一位台灣藝術家、寫作者與教育工作者，其創作實踐處在當代藝術、歷史編纂及教育的交會處，藉由質疑機構化歷史的敘事結構，暴露出潛藏在主流歷史敘事中的權力關係。他的作品經常透過裝置、動態影像、講述來建構出後設虛構空間，在其中，偏離原件的檔案運用及第一人稱敘事使得歷史中沒有被實現的可能性得以被重讀、重寫、重新想像。自 2018 年起開啟「書寫公廠 Writing FACTory」長期計畫，這間虛擬工廠旨在生產出版作為政治及教育實踐的戰略方案。作品曾於臺灣、韓國、中國、美國、新加坡、德國、墨西哥等國展出。曾獲台北獎、高雄獎、林語堂文學獎等。

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Chang Wen-Hsuan (b. 1991, Changhua) is a Taiwanese artist, writer, and educator whose practice resides at the intersection of contemporary art, historiography, and pedagogy. Her work interrogates the narrative structures of institutionalized history, aiming to expose the power dynamics embedded in dominant historical accounts. Working across installations, moving images, and lecture-based forms, she constructs metafictional spaces where skewed documentation and first-person accounts are activated, allowing history’s unrealized potentials to be re-read, re-written, and re-imagined. In 2018, she launched Writing FACTory, a long-term virtual factory that manufactures tactical forms of publishing as political and pedagogical practices.  She has presented projects in Taiwan, Korea, China, USA, Singapore, Germany, and Mexico. Prizes and awards include the Taipei Art Awards(2018), Kaohsiung Awards(2015), and Lin Yutang Literary Prize(2012).

 

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